The Practice of Making
Showing up, making work, and discovering what begins to emerge.
Wednesdays
April 29, May 6, May 20, May, June 3, June 10, 2026
3:00- 4:45 EST
$595.00
What happens when you give yourself permission to simply make the work?
The Practice of Making
Creating many small works helps shift the focus away from perfection and toward exploration. By working quickly and consistently, we allow ideas to surface more naturally and give ourselves permission to experiment. Some pieces may feel unresolved or unexpected, but each one contributes to the larger process of discovery. Over time, patterns begin to appear and new directions emerge. In this workshop, participants will create a large number of small works over several weeks as a way to build momentum and follow what begins to develop in the work. We will explore a range of materials and approaches, including water-based paints, acrylics, printing processes, R&F drawing oils and pigment sticks, as well as drawing and mixed media techniques. The emphasis throughout is on curiosity, experimentation, and the practice of making.
artist: Laurie Johns
Every layer tells a story. Build, uncover, and reshape until something unexpected emerges.
I am not just a teacher; I’m a mentor, guide, and innovator. With more than four decades of experience as a professional artist and instructor, I am known for my intuitive and empathetic approach to teaching. My classes are:
Personalized: I tailor my guidance to meet the unique needs of each participant, helping you discover your authentic voice.
Process-Oriented: Instead of focusing solely on finished works, we’ll delve into the journey of making art.
Ritualistic and Transformative: Incorporating practices like layering, repetitive mark-making techniques, and collage, my teaching encourages reflection, experimentation, and emotional depth.
High-Energy and Supportive: Fast-paced sessions, group discussions, and hands-on experimentation create a dynamic and nurturing environment.
Why This Class is Different
Every session is live and interactive.
This isn’t a pre-recorded workshop. We’ll meet in real time for demonstrations, discussion, and feedback on the work you’re creating between sessions.
You’ll see demonstrations directly from my studio and have the opportunity to ask questions as we go.
The experience is meant to feel engaged, responsive, and personal — like being in the studio together.
“I love teaching this class. It is freeing to discover how materials and process can play a crucial role in helping artists discover their unique visual language.” ~ Lisa
Frequently Asked Questions
Do I have to complete exactly 100 works?
No. The goal is to create a large body of small pieces as a way to build momentum and explore ideas. Some participants may reach 100 works, while others may make fewer. The focus is on the process of making and discovering what begins to emerge.
What size should the works be?
The pieces should be small and manageable so you can work quickly and freely. Many artists choose sizes such as 5×7, 6×6, or 8×8 inches, but you are welcome to adjust based on your materials and working style.
What materials can I use?
You may work in any medium: painting, drawing, collage, mixed media, or print-based approaches. The workshop focuses on process and experimentation rather than specific materials.
Do I need to attend every session live?
Live participation is encouraged because the workshop is interactive and includes discussion and feedback. However, sessions will be recorded, so participants can revisit the material if needed.
Will there be critiques?
Yes. We will spend time during each session looking at the work that participants are making. The feedback is supportive and focused on helping you recognize emerging themes and directions in your work.
Is this workshop suitable for beginners?
The workshop is best suited for artists who already have some experience with their materials and want to loosen their process, generate new ideas, and build momentum in their practice.
How many students will be in the class?
Enrollment is limited to create a supportive environment and allow time for discussion and feedback.
What if I fall behind on making the works?
That’s completely okay. Everyone works at a different pace. The goal is not perfection or completion, but to engage in the process and see what begins to develop.
What if I feel stuck or run out of ideas?
That’s a normal part of the process and actually an important aspect of this workshop. Working through those moments often leads to the most interesting discoveries. During our sessions we’ll talk about strategies for moving forward, shifting direction, and allowing new ideas to emerge.
Do the works need to be finished or “good”?
No. In fact, many of the pieces will be experiments, fragments, or starting points. The goal is not to create 100 finished artworks but to explore freely and build momentum. Often the most valuable discoveries come from the pieces that feel unfinished or unexpected.
Will this help me develop ideas for larger or more developed work?
Yes. One of the most powerful outcomes of creating many small works is that patterns and themes begin to appear. These discoveries often lead naturally into larger or more resolved pieces.
By the end of this workshop, you will:
Gain a deeper understanding of your artistic vision.
Develop transformative skills in mark-making, layering, and composition.
Experience the freedom to experiment without fear of failure.
Create a cohesive body of work or generate ideas for future projects.
Generate fresh ideas for your next project.
Feel inspired and confident in your ability to explore and express your unique voice.
Do You Recommend Repeating the Class?
Absolutely! Here’s why many students choose to return for 100 Works:
Go deeper: Build upon what you’ve learned to explore new dimensions of your art.
Generate new ideas: Use the exercises to develop a fresh body of work or refine an ongoing project.
Overcome creative blocks: The structured prompts help you break free from artistic ruts and reignite your passion.
Refill your creative wellspring: Perfect for re-energizing after burnout or an extended time away from the studio.
Jumpstart creativity: Whether you’re starting fresh or looking for a boost, this course provides the structure and inspiration you need.
"Lisa creates a space where artists can explore without fear. Her approach is both supportive and challenging, allowing me to break through creative blocks and develop work that is authentic and deeply personal." – Sue J.
My Practice
My practice is rooted in curiosity and emotional expression, often incorporating rituals like layering, burning, and stitching. I describe my process as an “excavation,” uncovering hidden emotions and histories through paint. My work has been exhibited in galleries and museums worldwide, and I have become a sought-after mentor known for my ability to inspire and transform my students.
My teaching philosophy emphasizes exploration and discovery. I believe in meeting artists where they are and helping them uncover their authentic voice. Whether through my workshops, mentorships, or my own practice, I bring a warm, empathetic, and insightful approach to everything I do.